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    wasting of your legs: and the woman will say, So be it. And this is the law for him who is separate, when the necessary days are ended: he is to come to the door of the Tent of meeting, And make his offering to the Lord; one he-lamb of the first year, without a mark, for a burned offering, and one

    The Picture of Dorian Gray (Uplifting Classics)

     

    The Picture of Dorian Gray (Uplifting Classics)


    The Picture of Dorian Gray (Uplifting Classics)








    Binding: Kindle Edition
    Format: Kindle eBook
    Label: Uplifting Publications
    Languages: EnglishPublished
    Manufacturer: Uplifting Publications
    Number Of Items: 1
    Number Of Pages: 224
    Publication Date: January 01, 2011
    Publisher: Uplifting Publications
    Release Date: January 01, 2011
    Studio: Uplifting Publications




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    Editorial Review:

    Product Description:
    THE PREFACE
    The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things.

    The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.

    Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty.

    There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.

    The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass.


    Amazon.com Review:
    A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

    As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

    Product Description:
    THE PREFACE
    The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things.

    The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.

    Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty.

    There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.

    The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass.




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