DVD : The Phantom of the Opera (Widescreen Edition)

The Phantom of the Opera (Widescreen Edition)

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The Phantom of the Opera (Widescreen Edition)

starring: Gerard Butler, Emmy Rossum, Patrick Wilson, Miranda Richardson, Minnie Driver
directed by: Joel Schumacher

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Aspect Ratio: 2.40:1
Audience Rating: PG-13 (Parental Guidance Suggested)
Binding: DVD
Brand: Warner Brothers
EAN: 9780790795393
Feature: TESTED
Format: Full Screen, Closed-captioned, Color, Dolby, Dubbed, DVD, NTSC, Subtitled, Widescreen
ISBN: 0790795396
Item Dimensions: 1
Label: Warner Home Video
Languages: EnglishUnknownDolby Digital 5.1EnglishSubtitledSpanishSubtitledFrenchSubtitledEnglishOriginal LanguageDolby Digital 5.1FrenchOriginal LanguageDolby Digital 5.1FrenchDubbedDolby Digital 5.1
Manufacturer: Warner Home Video
MPN: WARD38951D
Number Of Discs: 1
Picture Format: Widescreen
Publisher: Warner Home Video
Region Code: 1
Release Date: May 03, 2005
Running Time: 141 minutes
Studio: Warner Home Video

Features:

TESTED

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Editorial Review:

Product Description:
mysterious masked figure roams around the underground chambers of the Opera Populaire, a 19th century Parisian opera house. He tutors a young singer who rises quickly to stardom. The masked figure begins to harbor romantic feelings for his pupil, but his hopes are dashed when the singer's childhood boyfriend arrives in Paris

Amazon.com:
Although it's not as bold as Oscar darling Chicago, The Phantom of the Opera continues the resuscitation of the movie musical with a faithful adaptation of Andrew Lloyd Webber's blockbuster stage musical. Emmy Rossum glows in a breakout role as opera ingénue Christine Daae, and if phantom Gerard Butler isn't Rossum's match vocally, he does convey menace and sensuality in such numbers as "The Music of the Night." The most experienced musical theater veteran in the cast, romantic lead Patrick Wilson, sings sweetly but seems wooden. The biggest name in the cast, Minnie Driver, hams it up as diva Carlotta, and she's the only principal whose voice was dubbed (though she does sing the closing-credit number, "Learn to Be Lonely," which is also the only new song).

Director Joel Schumacher, no stranger to visual spectacle, seems to have found a good match in Lloyd Webber's larger-than-life vision of Gaston LeRoux's Gothic horror-romance. His weakness is cuing too many audience-reaction shots and showing too much of the lurking Phantom, but when he calms down and lets Rossum sings "Wishing You Were Somehow Here Again" alone in a silent graveyard, it's exquisite.

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Those who consider the stage musical shallow and overblown probably won't have their minds changed by the movie, and devotees will forever rue that the movie took the better part of two decades to develop, which prevented the casting of original principals Michael Crawford and Sarah Brightman. Still, The Phantom of the Opera is a welcome exception to the long line of ill-conceived Broadway-to-movie travesties.

DVD Features
The special edition of The Phantom of the Opera has two major extras. "Behind the Mask: The Story of The Phantom of the Opera" is an hourlong documentary tracing the genesis of the stage show, with interviews of composer Andrew Lloyd Webber, director Harold Prince, producer Cameron Macintosh, lyricists Richard Stilgoe and Charles Hart, choreographer Gillian Lynne, and others. Conspicuously absent are stars Sarah Brightman and Michael Crawford. Both do appear in video clips, including Brightman performing with Colm Wilkinson at an early workshop, and Crawford is the subject of a casting segment. Other brief scenes from the show are represented by a 2001 production. The other major feature is the 45-minute making-of focusing on the movie, including casting and the selection of director Joel Schumacher Both are well-done productions by Lloyd Webber's Really Useful Group.

The deleted scene is a new song written by Lloyd Webber and Charles Hart, "No One Would Listen," sung by the Phantom toward the end of the movie. It's a beautiful song that, along with Madame Giry's story, makes him a more sympathetic character. But because that bit of backstory already slowed down the ending, it was probably a good move to cut the song. --David Horiuchi

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