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    Israel. And those men who have been named went up and took the prisoners, clothing those among them who were uncovered, with things from the goods which had been taken in the war, and putting robes on them and shoes on their feet; and they gave them food and drink and oil for their bodies, and

    The Picture of Dorian Gray

     

    The Picture of Dorian Gray


    The Picture of Dorian Gray

    List Price: $28.95
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    Binding: Paperback
    EAN: 9781840021035
    ISBN: 1840021039
    Item Dimensions: 3482642514
    Label: Oberon Books
    Languages: EnglishUnknownEnglishOriginal LanguageEnglishPublished
    Manufacturer: Oberon Books
    Number Of Items: 1
    Number Of Pages: 102
    Publication Date: September 15, 1999
    Publisher: Oberon Books
    Studio: Oberon Books




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    Editorial Review:

    Product Description:
    The story of a man who preserves his youth while his portrait visibly deteriorates with time.


    Amazon.com Review:
    A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

    As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."



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